The Percussion
- Bateria
|
"Surdo
de Primeira" (first rhythm drum) - it is the deepest and
sets the first beat. |
|
"Surdo
de Segunda" ou "Surdo de Resposta" (second or
answering drum) - a little less deep. It "answers"
the fixed rhythm. |
|
"Surdo de Terceira"
(third drum) - intervenes between the two drum beats, in a kind
of syncope. |
|
"Repique"
- it is the instrument whose drumsticks tap out or punctuate
the rhythm. |
|
"Tarol"
e "Caixa" - they are similar in shape, but the "tarol"
is thinner than the "caixa". They are both shallow
drums and are played using two drumsticks. They are covered with
skin on both sides. The drummer very often achieves effects by
also beating with the drumsticks the metal that secures the skin. |
This is the instrument
called "caixa". I learned to play it some years ago
and my husband bought this one for me. |
|
"Tamborim"
- it is played with thin sticks, normally organized in pairs
or groups of three or more sticks, that in this case are not
wooden sticks, but fiberglass sticks, once they are flexible
and allow the percussionist to harmoniously coordinate the movements
of both hands. He holds he "tamborim" with one hand
moving it successively from the right to the left while he beats
it with the sticks using the other hand in an up and down movement
of the wrist. |
|
Here
is a "tamborim" and the sticks that are used to play
it. |
|
"Pandeiro"
(tambourine) - a circular and narrow instrument with jingling
little metal disks in its wooden structure. The drummer holds
the tambourine with one hand and plays with a movement coordinating
his hand that beats with the hand that holds. |
|
"Reco-Reco"
- a cylinder of bamboo or metal, rubbed with a stick according
to the samba rhythm. It is held in one hand while the other strokes
in a wrist movement. |
|
"Ganzá"
- it is a kind of rattle made of two or more metal cylinders,
perpendicular to each other and with small aluminum pieces inside.
The rattle is held at its ends and played by shaking the forearms,
causing the aluminum pieces to rub against the cylinders. |
|
"Agogô"
- two or more conical iron cups, of different timbres, connected
by a thin rod. It is played with a metal drumstick alternatively on each cup. |
|
"Chocalho"
(rattle) - a pile of little metal disks, grouped on a frame.
It is played like the "ganzá". |
|
"Cuíca"
- little small barrel, with a slim rod inside, perpendicular
to the leather. Produces a deep throat sound, used to keep the
rhythm in small solos and counterpoints. |
|
"Apito"
(whistle) - used by the percussion maestro. |
Other
instruments
Besides
the percussion there are also other instruments accompanying
the samba leader in the loudspeaker car. But each school decides
how it will be. It is not common for every instrument to appear
in the show of a single school. The most important are:
The
Guitar - the most important harmony instrument in Brazil. (Brazil
has actually, one of the most renowned guitar schools in the
world with virtuosos like the internationally famous Baden Powel
and Turíbio Santos).
The
Seven-string guitar - the only mass-produced harmony instrument
invented in Brazil. Its sound, based precisely on the deeper
seventh string, is one of the characteristics of the samba and
choro as musical genera.
The
"Cavaquinho" - a small four-string viola, strummed
with a reed. Backs up the tone while reinforcing the beat tempos,
but it is also used in solos.
|
Here
is a
"cavaquinho"
painted by me with the colors of Mangueira samba school (pink
and green) and beside it (on the left), a "tamborim",
also decorated in green and pink for Mangueira's carnival parade. |
The
Mandolin - more pear-shaped than the "cavaquinho",
with a rounded back and 6 or 8 metal strings arranged in pairs.
The
Banjo - has a long neck and round body, covered with a skin close
to the strings.
Equally
important is the lead samba singers, or interprets. They have
different styles, but one thing is fundamental: a powerful voice
to sing for 80 minutes. Accompanied by support singers, the lead
or interpret accompanies the percussion and, according to the
maestro, sets the pace given to the samba. |
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~ Miss
Price Graphics
~ Graphics by Irene ~ Country
Patch Collections
~
Nothing in this site is Public
Domain. Graphics are copyrighted by various artists and are used
with permission.
Please, click on the links above to visit the sites were you
can download the graphics from. Do not save anything from my
pages, please.
The pictures of the instruments were scanned by me from a carnival
magazine. |